the man behind the camera
BIOGRAPHY OF RON SOLIMAN, PHOTOJOURNALIST

Through his everyday experiences, photojournalist Ron Soliman can¹t help but look at life through a camera lens his preferred choice of visual presentation. His lens seeks a story in everything he shoots, from a simpleblooming flower to a compelling, tension-filled revolution and his eye for
detail is only matched by the compassion in his heart.

Ron is a Washington state-based photojournalist specializing in documentary photography. His major projects include photo-documentary of the Chiapas Refugees, the Holy Week in the Philippines, The rise in power of Philippine President Joseph Estrada, The plight of the Aetas in Mt. Pinatubo, Sikhism
in Hollywood, and Hsi Lai Buddhist Monks, and many more.

Ron is presently the photo editor at The Olympian, a Gannet newspaper in Olympia, Washington. Before moving back to the states in 2003, Ron spent three years in the island of Guam working as the Photo Editor at the Pacific Daily News.

Born in Angeles City, Philippines in June 1972, Ron took photography very seriously at a young age. He was often seen carrying a small camera, a gift from his mother, everywhere he went. He was a teenager when he took his first photojournalistic photograph of the Philippine President Cory Aquino.

Ron was educated by the Salesians of Don Bosco from high school to College.
After completing some college at Don Bosco Seminary College in Canlubang, Philippines, he migrated to southern California. Soliman arrived with the intention of continuing his education of becoming a priest. He was in a seminary, but left when another calling came — the call of the camera. Ron shifted gears from pursuing a religious vocation into doing documentary photography. He believes that through his photographs he can serve God by using his talents as a visual communicator.

Ron enrolled to California State University-Fullerton and majored in Communications where he emphasized in Photojournalism. As a dedicated photojournalism student, he always finds his ways to work on projects that amazed his professors. One of his most memorable projects was his excursion to the southeastern part of Mexico, where he documneted the social struggles of refugees in Chiapas.

It was December 1997, when he and a photographer friend saw on the news the massacre of indigenous women and children by paramilitary groups in the small village of Acteal in the state of Chiapas. Many had believed the Priista paramilitary group was secretly supported by the government to help take land away from these indigenous people. Residents from nearby villages were fleeing out of fear of the Priistas, who accused many of sympathizing with the Zapatista rebel group. At their own expense, the two obtained journalist visas, flew to Tijuana, Mexico then on to Chiapas. There, they visited two of the biggest refugee camps, Pohlo and La Realidad. Everywhere they travel in the region they hassled by armed soldiers.

For three weeks the pair stayed at the two camps. Ron saw up close how horrible the situation was. He witness how these people suffered the lack of food and bad sanitation. Ron held his camera up to them to record their plight. He strongly believed that other people had to know about such an injustice. It was Ron¹s only way to help.

Ron graduated from California State University-Fullerton in June 1998. He interned for the San Gabriel Valley Tribune¹s community newspapers and the Orange County Register Community News in California. While shooting for these small community newspapers, Ron has developed a unique style in
newspaper photography, a style that has become easily recognizable. Photographers from big metro papers in the L.A. area became his inspiration, including his mentor Mark Boster of the Los Angeles Times.

Ron was so passionate about his career as a photojournalist that as a newly graduate, he wrote a letter to the Vice president of the Philippines in 1998 to request his permission to document his campaign for presidency. Weeks later, a response arrived in his mailbox from the office of the vice president allowing him to come and document his campaign. This resulted in an exciting experience for a rookie photojournalist like Ron to get a close encounter with a major international event.


This led to Ron¹s first professional job as a photojournalist when he was hired by the Los Angeles Times Community Newspapers as a staff photographer.
Ron covered the Crenshaw District in Los Angeles and South Orange County. A year later he was offered a job at the Desert Sun Newspapers, a Gannett paper in Palm Springs, CA.

Ron made a positive, immediate impact on the Sun¹s photo department. He organized an in-house photography contest as a motivating tool to the department, to encourage everyone to be more creative and competitive in story-telling through pictures. That is what drove his supervisor to promote
him to assistant photo editor.

Ron also got to flex his skills as a photographer when he shot such events at an Oscars after-party at Spago¹s in Beverly Hills, and a celebrity golf tourney where Celine Dion was the star attraction. He¹s also photographed Philippine celebs Martin Nieverra, Jessa Zaragoza, Rudy Fernandez and Lorna Tolentino, Vina Morales, The Hunks and more. Ron won¹t trade his job for anything else. He loves the mix of adrenaline rushing while photographing breaking news, and the fun when he is on the scene at red carpet parties where gorgeous celebrities are smiling at his camera.


The opportunity to move to Guam presented itself in the year 2000, and Ron jumped on it. He liked the fact that there was a big Filipino population on Guam, and that it is only a three-hour flight away to Manila. Ron is always up for an adventure and his moving to Guam was a big adventure in his life.
In October 2000 he was hired as the Pacific Daily News¹ Photo Editor. He¹s had opportunity to travel throughout Micronesia to cover U.S. military exercises. Since then, he has received awards for his works from numerous American organizations such as the National Press Photographers Association and the Society of Professional Journalists. He also expanded his portfolio to include fashion photography. He¹s published in local bridal magazines, and of course has done a fair share of beach shoots for swimsuit spreads.


In the past four years Ron Soliman covered four international events including the Filipino peaceful revolution in January 2001, crucifixions in the Philippines, refugees in Chiapas, Mexico, and the 1998 presidential election in the Philippines. He finds inspiration in stepping into the lives of others and telling their stories through his camera lens. Documenting
these events is a reflection of his passion, dedication, and commitment to photojournalism.


It is these stories and more, that Ron hopes to bring to people for years to come.

 

To contact Ron, please send email to :
ron@ronsolimanphoto.com

 

Photos may not be used or reproduced without permission. Copyright © 2002-2005 Ron Soliman.